subTerrain publishes original fiction, poetry, creative nonfiction, essays, and commentary three times a year. Submissions must be previously unpublished material. (Note maximum number of submissions per issue in General Guidelines below.)
subTerrain welcomes submissions from both emerging and established authors. We are happy to consider work from all corners of the identity spectrum, including works by underrepresented writers, including but not limited to writers who are indigenous, of colour, immigrants, women, LGBTQI+, low-income, no-income, and writers with disabilities. Submitters are welcome to state demographics such as race, age, gender, etc. in their cover letter if they so choose.
SPRING -- OPEN FOR SUBMISSIONS!
Shame (#82) — With our Spring issue we will once again delve into uncomfortable territory with an issue devoted to the exploration of shame. Shame as a cultural phenomenon, a personal crippler, and all of its associated sub-types: false shame, secret shame, toxic shame, vicarious shame.
“… shame is important because no other affect is more disturbing to the self, none more central for the sense of identity. In the context of normal development, shame is the source of low self-esteem, diminished self-image, poor self-concept, and deficient body-image. Shame itself produces self-doubt and disrupts both security and confidence. It can become an impediment to the experience of belonging and to shared intimacy....It is the experiential ground from which conscience and identity inevitably evolve. In the context of pathological development, shame is central to the emergence of alienation, loneliness, inferiority and perfectionism. It plays a central role in many psychological disorders as well, including depression, paranoia, addiction, and borderline conditions. Sexual disorders and many eating disorders are largely disorders of shame. Both physical abuse and sexual abuse also significantly involve shame.” — Gershen Kaufman, Shame: The Power of Caring.
DEADLINE FOR SUBMISSIONS: February 8, 2019
General Reading Issue (#83) — Our Summer/Fall issue will be a general issue featuring the best of fiction, poetry, commentary and creative nonfiction to have been selected and accepted throughout the year. This issue will also feature the winning entries in our 2019 Lush Triumphant Literary Awards, as well as excerpts from forthcoming releases from Canadian indie presses.
DEADLINE FOR SUBMISSIONS: June 24, 2019
1984 Revisited (#84) — For our 84th issue we plan to pay homage to the dystopian world that was depicted in George Orwell’s novel 1984. A revisit and analysis of Orwell's world as depicted in his seminal dystopian novel, along with other complementary dystopian works and reviews, will form the over-arching theme for our Winter 2019 issue. In a time of growing uncertainty about the future, readers have been turning to dystopian classics. As reported in the NY Times, January 2017, “The Handmaid’s Tale is among several classic dystopian novels that seem to be resonating with readers at a moment of heightened anxiety about the state of American democracy. Sales have also risen drastically for George Orwell’s Animal Farm and 1984, which shot to the top of Amazon’s best-seller list.
Other novels that today’s readers may not have picked up since high school but have landed on the top reading lists recently are Aldous Huxley’s 1932 novel, Brave New World, a futuristic dystopian story set in England in 2540; and Sinclair Lewis’s 1935 novel It Can’t Happen Here, a satire about a bellicose presidential candidate who runs on a populist platform in the United States but turns out to be a fascist demagogue.” This issue will also offer us the opportunity to reflect on the state of American democracy and Canada’s own rise of alt-right Conservatism.
DEADLINE FOR SUBMISSIONS: September 6, 2019
When submitting, please identify on the envelope the theme issue for which you're submitting.
Feel free to interpret these themes in unique and unusual ways.
All other regular submission guidelines still apply, as below.
The following are some general guidelines (as always, we suggest READING an issue of the magazine to see what we're all about).
Submissions must be previously unpublished and be:
1. typed, double-spaced on 8 1/2 x 11 paper (no disks or e-mail submissions please)
2. Fiction: a maximum of 3,000 words. (Max. 3 stories per issue)
3. Poetry: we no longer accept unsolicited poetry submissions (unless specifically related to one of our theme issues). Poetry should be single-spaced with stanza breaks. (Max. 5 poems per issue)
4. Creative Non-Fiction: a maximum of 4,000 words. (Max. 2 articles per issue)
5. Commentary (social or otherwise): a maximum of 4000 words. (Max. 2 articles per issue)
6. Photography & Illustration: we only accept solicited art and photography. Please forward us a link to your work;
7. Those submissions not accompanied by a SASE (self-addressed, stamped envelope) will not be considered or returned. Submissions from outside Canada: It has come to our attention that IRCs are no longer available in the U.S. Submitters from outside Canada: please DO NOT SEND RETURN ENVELOPES WITH U.S. STAMPS -- WE CANNOT USE U.S. POSTAGE TO MAIL FROM CANADA! Please include your email address with your submission and we will respond via email.
8. Please do not send submissions via email.
Payment rates for published submissions:
Poetry: $50 per poem
Prose: $.10 per word (to a maximum of $500.)
Submit online (click) here:
Mail hard copy submissions to:
P.O. Box 3008, MPO
Vancouver, BC V6B 3X5
TEL: (604) 876-8710 FAX: (604) 879-2667