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Cover for issue #78

» #78 on newsstands now!

subTerrain #78 — The Winter Issue — is out!
#78 features creative non-fiction by Madeline Sonik, poetry by Emily Davidson, Kaz Sussman, Eve Joseph, and Chloe Burns; fiction from Evelyn Schofield, Karen Hofmann, and Jenny Yiu; micro-dramas by Charles Tidler; non-fiction by Trisha Cull; the 2017 Lush Triumphant Award Winners: Brent van Staalduinen (Fiction), Adrienne Gruber (Poetry), and Mikka Jacobsen (Creative Non-Fiction), plus regular columns by Jim Christy and Matthew Firth.


And reviews of new books by Martha Baillie, Guillaume Morissette, Chris Kraus, Robert Clark, Chris Urquhart, Yvonne Blomer, Lydia Kwa, Lisa de Nikolits, Sofi Okasanen, and Meghan Bell and the Growing Room Collective.


Cover and interior illustrations by Andrea Bennett.

» Fiction

One on One

The last time I saw Trisha we were supposed to get together for some noose-play. The format was usually the same. I’d go over to her place. She’d drag out in her slutty leather dress, black stilettos and rubber top. We’d smoke a joint then have a glass of wine and pretty soon the porn would roll out: Gallows Girls, Date with the Hangman or else some strangulation clips she’d pieced together from various horror movies and put onto a CD.

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Small, Malicious Planet

What were the odds? Her? Here?

Wexler has long forgotten her real name. When he dreams her, she’s either Catherine T., or the-most-beautiful-girl-in-the-world-you-just-want-to-take-home-and-scrub-clean. Because the last time Wexler saw her, almost twenty years ago now, there had been something distinctly cruddy about her despite that face, stunning with its origami angles and inset with otherworldly eyes that gave her the look of a startled Japanese anime character — Sailor Moon as squeegee kid.

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Laundromat

I still hate doing my laundry around other people; the unmentionables, the noise, the children. I wrote to you from a laundromat before. Could you tell? Did it come out clean or littered with other people’s gossip and drama? Did I tell you about the girl from downstairs who asked me if you can reuse a condom that’s been through the washer and dryer?

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» Creative Non-Fiction

Buddy

It was after midnight, I was tired, and all I wanted was to heat up the bowl of leftover perogies I had waiting patiently for me in the fridge. Instead I stood at the door to my apartment as my neighbour stood at his, eagerly trying to convince me to “share your Internet, buddy.”
He’d called me buddy. That wasn’t a good start to the pitch.

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Youth Laid Waste

When I was a teenager I skipped school so much I’d get taken aside by my teachers and told I’d missed the most school of anyone in the history of our little Montreal-West, public-for-smart-kids prep school.

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The Pavilion

For weeks I have been disappearing to The Bunny Room in our basement in order to get high on cough medicine. My two rabbits, Marcello and Caravaggio, have become my sole connections to the living world, to any flesh and blood creature.

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« strong voices »

On Value

For those lucky enough to have survived it, the worst thing that happened in the 20th century was the malaise that defined it: the ubiquitous and relentless attempt of every political power to terminate public discourse, as reaffirmed by Mikhail Gorbachev and George H.W. Bush at the Malta summit on December 3, 1989. Only weeks before, the world had witnessed the fall of the Berlin wall, as West and East Germans engaged in a spontaneous populist movement to tear down the symbolic barrier that had divided not only them, but also the rest of the world.

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A Few Thoughts On subTerrain’s Origins and Intent

subTerrain started out as a dream, an idea of literary rebellion, a shadow-self calling out to be born. It was 1988, the nascent days of desktop publishing, and truly a transitional period in the world of print. For the first time in the history of printing, the means of production were actually in the hands of the masses. Armed with only a Personal PC, a “typesetting” software program (not some expensive commercial typesetting equipment such as a Compugraphic machine) and a laser printer, virtually anyone could produce a professional looking publication.

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subTerrain gratefully acknowledges the support of our funders: The BC Arts Council, The Canada Council for the Arts, the Canada Periodical Fund (Department of Canadian Heritage), and the City of Vancouver.