Issue #99 features fiction by George McWhirter, Martin West, Barbara Black, Christopher S. Wilson, and Violetta Leigh; commentary by Peter Babiak and non-fiction from José Teodoro, Stephen Osborne, and Ronna Bloom; poetry by Salem Sabrehagan and Sarah Key; the Winners and Runners-Up of the 2024 Lush Triumphant Literary Awards Tricia Dower, Richard Kelly Kemick, Zilla Jones, Martin Borden, Brent Schaeffer, and Jonathan Greenhause; and excerpts from the Free Verse project by Pandora’s Collective, edited by Kaile Shilling.
Reviews of new books by: Frankie Barnet, Moira Buffini, P.W. Bridgman, Dom Domanski, Hazel Jane Plante, Cole Nowicki, Joel Selvin, Delmore Schwartz (edited by Ben Mazer), Munir Hachemi, (translated by Julia Sanches), and Yoko Tawada (translated by Susan Bernofsky); plus Chuffed About Chapbooks by Kevin Spenst.
Cover and interior illustrations by Siena Canales.The last time I saw Trisha we were supposed to get together for some noose-play. The format was usually the same. I’d go over to her place. She’d drag out her slutty leather dress, black stilettos and rubber top. We’d smoke a joint then have a glass of wine and pretty soon the porn would roll out: Gallows Girls, Date with the Hangman or else some strangulation clips she’d pieced together from various horror movies and put onto a CD.
Small, Malicious PlanetWhat were the odds? Her? Here?
Wexler has long forgotten her real name. When he dreams her, she’s either Catherine T., or the-most-beautiful-girl-in-the-world-you-just-want-to-take-home-and-scrub-clean. Because the last time Wexler saw her, almost twenty years ago now, there had been something distinctly cruddy about her despite that face, stunning with its origami angles and inset with otherworldly eyes that gave her the look of a startled Japanese anime character — Sailor Moon as squeegee kid.
LaundromatI still hate doing my laundry around other people; the unmentionables, the noise, the children. I wrote to you from a laundromat before. Could you tell? Did it come out clean or littered with other people’s gossip and drama? Did I tell you about the girl from downstairs who asked me if you can reuse a condom that’s been through the washer and dryer?
They were screening Opening Night, the John Cassavetes, at the Royal. It was Cassavetes’ birthday. Also my birthday. After the movie we were ushered out into the bitter December night and none of us could bring ourselves to leave straightaway. We huddled under the marquee, stiff-shouldered, rocking on our heels, producing crystal plumes that vanished on impact. Opening Night exhausted us: we needed to talk about it. The way people careen. The way the cameras and cuts carve out blinkered geographies. The way exposition blooms in elision.
BuddyIt was after midnight, I was tired, and all I wanted was to heat up the bowl of leftover perogies I had waiting patiently for me in the fridge. Instead I stood at the door to my apartment as my neighbour stood at his, eagerly trying to convince me to “share your Internet, buddy.”
He’d called me buddy. That wasn’t a good start to the pitch.
When I was a teenager I skipped school so much I’d get taken aside by my teachers and told I’d missed the most school of anyone in the history of our little Montreal-West, public-for-smart-kids prep school.
subTerrain gratefully acknowledges the support of our funders: The BC Arts Council, The Canada Council for the Arts, the Canada Periodical Fund (Department of Canadian Heritage), and the City of Vancouver.